
⭐️⭐️⭐️ (3/5)
Ti West’s MaXXXine, the highly anticipated finale to the X trilogy, delivers its share of neon-drenched thrills and biting commentary, but doesn’t quite live up to the grindhouse glory of its predecessors. While it’s a stylish and bold entry, it sometimes gets lost in its own ambition.
The Story:
Set in 1980s Los Angeles, MaXXXine follows Maxine Minx (Mia Goth) as she chases stardom in the cutthroat world of adult entertainment, only to find herself entangled in a series of gruesome murders that blur the line between ambition and exploitation.

What Works:
- Mia Goth: As always, Mia Goth commands the screen, delivering a fearless performance that captures Maxine’s grit and vulnerability. She’s the undeniable heart of the film and I’m so excited to see her in more. Not to mention she’s freaking gorgeous!
- Visual Style: The retro 80s aesthetic, with its synth-heavy soundtrack and flashy neon visuals, is a feast for the eyes and ears.
- Themes: The film critiques the darker side of fame and the commodification of identity, offering a thought-provoking layer beneath the blood-soaked exterior.
What Doesn’t:
- Pacing: At nearly two hours, the film drags in places, with some scenes feeling more indulgent than impactful.
- Horror Elements: While there are moments of shocking brutality, the scares feel fewer and less inventive compared to X and Pearl.
- Story Clarity: The narrative can feel disjointed, with its satirical elements occasionally overshadowing the emotional stakes.

Final Thoughts:
MaXXXine is a solid conclusion to a groundbreaking trilogy, but it doesn’t quite reach the highs of X or the haunting intimacy of Pearl. It’s an entertaining ride with moments of brilliance, but some of its shine gets lost in the chaos.
Would I recommend it? Yes, especially for fans of the trilogy and Mia Goth. Just temper your expectations. It’s more glitz and gore than depth and dread.


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