Category: movie reviews
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movie review: a better man (2024)
A Better Man provides an honest portrayal of Robbie Williams, blending nostalgia and personal challenges as it chronicles his journey through fame. The film showcases Williams’ vulnerability and creative direction, though it suffers from pacing issues and a lack of external perspectives. It highlights the emotional toll of celebrity life.
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movie review: oddity (2024)
Oddity is a slow-burning psychological thriller that creates an unsettling atmosphere through silence and shadows. With unique storytelling and strong performances, it captivates despite its pacing and ambiguity. Not suitable for fans of straightforward narratives, it offers a haunting experience for those who appreciate cerebral horror.
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movie review: the lighthouse (2019)
The Lighthouse offers a surreal descent into madness with striking black-and-white visuals and powerful performances from Willem Dafoe and Robert Pattinson. However, its excessive ambiguity, repetitive imagery, and dense symbolism can frustrate viewers. While artistically impressive, it feels more like an arduous experience than enjoyable entertainment.
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movie review: bodies bodies bodies (2022)
Bodies Bodies Bodies is a bold satire within a chaotic murder mystery, masterfully blending humour and horror to critique Gen Z dynamics. Featuring a talented cast, it utilizes its atmospheric single-location setting effectively. While the pacing dips in the middle, the film offers sharp commentary on privilege and social media chaos.
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movie review: conclave (2024)
Conclave, directed by Edward Berger, is a gripping drama exploring faith, power, and humanity within the Vatican. Ralph Fiennes delivers a compelling performance as Cardinal Lomeli, supported by a stellar cast. While the film excels in direction and themes, some plot twists feel unearned, and its slow pace may deter thrill-seekers.
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movie review: aftersun (2022)
Aftersun is an emotional film directed by Charlotte Wells, showcasing a father-daughter relationship through intimate moments and strong performances by Paul Mescal and Frankie Corio. Its nostalgic visuals and themes of memory and loss resonate deeply. Despite a slow pace and ambiguity, the film beautifully captures significant, relatable experiences.
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movie review: kraven the hunter (2024)
Kraven the Hunter attempts to expand the Spider-Man villain universe but falls short due to a lack of identity and a weak script. While Aaron Taylor-Johnson delivers a strong performance and some action scenes impress, the film ultimately fails to offer memorable storytelling or compelling villains, settling for generic superhero fare.
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movie review: am i ok? (2022)
Am I OK? is a poignant indie film directed by Tig Notaro and Stephanie Allynne, focusing on self-discovery and friendship. Starring Dakota Johnson and Sonoya Mizuno, it gracefully navigates themes of identity with humour and emotional depth. Despite some pacing issues and familiar moments, it offers an uplifting narrative about love and personal awakening.
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movie review: mulholland drive (2001)
⭐️⭐️✨ I understand Mulholland Drive. I followed its surreal narrative threads, pieced together the fractured dreamscape, and appreciated David Lynch’s unique style. But here’s the thing—I still didn’t enjoy it. While undeniably atmospheric and visually striking, the film’s dreamlike quality often felt more disorienting than engaging. Lynch appears to be a master of crafting unease,…
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movie review: it ends with us (2024)
The film adaptation of It Ends With Us captures some emotional moments from the novel but ultimately feels rushed and simplistic. While it explores important themes like domestic abuse and features polished visuals, it suffers from pacing issues, lacks chemistry among characters, and fails to convey the narrative’s deeper emotions, making it a missed opportunity.
Chante JVR 